Why is it Danthulhu's Teahouse?

Why is it Danthulhu's Teahouse? I posted about it, and the link is here.

Sunday, November 13, 2011

One and The Other

Given humanity's preference for duality it's no wonder the list of dichotomies is as long as it is. I'd start listing them off but I'm sure you can figure out more than a few. Tonight in my inability to sleep the sleep of the just, (or the injust for that matter,) my mind draws to an old philosophical standby of mine, Love and Hate. I find it interesting that these two emotions are as defined by each other as they are, often in literary works they are juxtaposed to each other but I find it odd really that, to me at least, the most appropriate example of this dichotomous couple is found in Mary Shelly's Frankenstein, or the Modern Prometheus. Why do I use this work of horror as an example,? Because of the unnamed monster of the work, this creature that has such complex emotions regarding its creator that in reading the work I could not decide if it was motivated wholly of Hate, or if it was driven also by a love that could never be expressed without hate. Because of how this tale marked me I'd like to demonstrate a pertinent point about these two passionate emotions, that in many ways they're indistinguishable. Now when I refer to the emotions of Love and Hatred I am not thinking of the banal emotions that are simply the difference between "like" or "dislike" or the more grounded natures of fondness and contempt. I am referring to those groups of irrational, powerful, and ofttimes inexplicable emotions that are the exclusive purview of Love and Hate. Indeed I have often noted that both of these emotions are attractors, they pull oneself towards the subject of emotion rather than drive one away. While the point can be made that there are aggregate parts to these emotions, I've noted that Love and Hate are not made of these emotions they do however create them. There is an intrinsic nature between Love and fondness just as there is between Hate and contempt, however Love and Hate are their own emotions and create their own complex emotions that are dragged into their wake. Irrational, attracting, and active emotions that have their own insanities and have their own patterns, but yet in the throes of either we can see behaviour seen in both, merely the difference between positive and negative theme. Why Love and Hate? To a degree it's meditation on my conditions, on my emotions, on my depression. So curious then that I passionately Love and Hate myself at the root of these things, so much to be proud of, so much to be disgusted by, so much to admire, yet with so much contempt. I doubt this is strange to many, but it feels odd to talk about it, to put this down as words. I Hate myself as much as I Love myself, sometimes one definitely takes precedent over the other, and yet here I am. I suppose in that respect my reasoning to compare to Frankenstein's monster isn't that unusual. Such conflicting feelings applied to self and environment with those twin emotions as figureheads, this I understand well, the isolation, the Love-Kill-Hate-Fuck directed at the world that brings so much joy and pain. For every desire for non-existence to be a euthanasia for the suffering of awareness there is a delightful curiosity to discover just what miracle of living is coming next.

Tuesday, November 8, 2011

Tenebris Mundi

Seed:
In the modern day, humanity as a species has achieved miracles since the days when people walked the earth following the herds of beasts in their routes of migration. Humankind has made societies, knowledges, languages, civilizations, politics, and perhaps most unique to this world safety. For the majority of history the primary motivations for progress were a combination of safety and survival. It's what people want, good health, safe neighbourhoods, and a bright future. It was never imagined that the improvements in medicine, education, communication, and general progress would have any downside. The mistake that most of the modern world made was to assume that the safety of progress meant that it invalidated all of the old ways and practices that had any element of danger, sexuality, or morbidity. By the year 2000 several active moments began a movement to sanitize common culture of these aspects not realising that from this desire to protect they were sacrificing something greater in exchange, they were killing humanity's creative drive. Creativity is born from the interaction between the Libido, the life impulse, and Thanatos, the death impulse. Though Libido is that which gives energy, Thanatos is that which gives the drive to create, it is through their co-existence that moves the world forward. By such choices made has the world gone out of balance, death is veiled, violence is sterilized, and the cosmic trickster of entropy has been caged as a butterfly's flapping wings. there is something seriously wrong with the world and if you can't see why you're part of the problem.

Friday, November 4, 2011

Chained Icarus


Standing there in a blasted room
Two doors out but neither worth choosing
Open doors, open sky, open dreams chasing across my mind
Chained to ground, chained to life, chained to destiny.

I dream of a world where I can matter,
I dream of a life I can earn,
Posibilities branching from choices,
Wings locked by a king I'll never see.

I'm standing here eyes reaching for the sky,
I'm tied here by another man's dreams,
The lie of the future all I've eaten,
The Shit from the past all I've seen.

Daedelus built me my wings to reach for the sky,
Flight to freedom meant to reach for the impossible,
Never reach the sun, never reach the air
Set to reach for the top never to hit the horizon.

Dad I want to open my wings,
I want to fly to my destiny,
You gave me the tools,
You gave me the hope to reach for the stars,
Your child not a hostage but a statistic.

Better to fall a million times,
Crash and Burn and Learn my lesson,
No one said life was easy,
Pain and experience a certainty,
I don't want anything you didn't earn.

But no one saw the chains that hold me,
Wrapped around by people we've never seen,
Not for safety,
Not for help,
Not for Slavery,
Made for a future where my gifts were unseen.

Can't you see these chains wrapping me,
'Cause Jacob Marley's got nothing on me,
Nothing wanted, nothing needed, nothing allowed,
For a future like a dust on a breeze.

Did you feel the chains constricting you,
Placed layer by layer over the years,
No Freedom, no future, no home,
Like a chained Icarus too held down to try to fly.

Sun's burning warmer on pained glass shards,